Like Hamlet's Denmark, roundthing is sooner funky in this particular Hemingway reality. Jake says that he has been "wounded. . . in a rotten way" and because he is Catholic but not a good Catholic Jake views himself as "a rotten Catholic" (Hemingway 31;9). Characters are often inadequate in Hemingway's world to handle the harsh realities of life. In an effort to nap with their own feelings of inferiority, these characters often resort to overcompensating through violence and other(a) masculine pursuits, in order to prove their manhood. We see this throughout the novel in Jake. His sexual inadequacy absorbs him with
Hemingway, E. The Sun Also Rises. New York, Charles Scribner's Sons, 1954.
Despite some people having God quite a lot, the Hemingway worldview does not set apart to religion as the absolute dispenser of meaning. Hemingway's universe does not embarrass mutually believed myths that, acting as bridges of comfort and solace, fill people with purpose and motivation to confront the challenges of reality. Hemingway's characters confront these challenges bye on with their fists, their wit and their martinis all enveloped in a fogginess of cynicism, doubt and disillusion that never quite seems to dissipate plentiful to let through the sun.
I just talk nigh it. You know I feel rather damned good, Jake.
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