Analysis of The Road Not Taken

The irony, of course, is that the speaker had no direction at the time of his decision to discern which highway was "the little traveled by." The flat fact in the fourth stanza settles that patch conclusively; leaves covered both roads "no measuring rod had trodden black." At the end of his road or journey, the speaker whitethorn feel the need to justify how " bearing led onto way" by respireing over the illusion of free barely unwitting cream. Critics routinely labor the analogy between Frost's choice of a poetic career as an autobiographical eitheregory at the core of the poem, and thereby miss the irony of his closing fallacy, for if there was real no difference between the roads his choice scarcely mattered, and could not, in the last line of his poem, account for "all the difference." "The Road Not Taken" implies more than it means. Whatever road the walker took would have left the other as a road not taken. The whole poem is an ironic ferment on the nature of hum

. . . . "The picture a Poem Makes." The Selected Prose of Robert Frost.

Frost, Robert. The Poetry of Robert Frost. Ed.

Edward Connery Lathem.

Sects and cults are founded on, but a momentary stay against confusion"

One reason the memorial of the past carries a meditative over-tone is that it takes no action; the questor hesitates, speculates, and evaluates; acquaintance fails to help him, one man in a unpolished scene, selecting a path that becomes a purpose. The speaker may sigh long afterward that he did not chose the other path, but he has no way of knowing where the other path, and its nevertheless ways that lead onto ways, would take him, ages and ages hence, to sigh for an equally unknowable destiny in the yellow woods.

Meyer. Boston: Bedford, 1998. 324-26.

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