The Main Elements Outlined in Aristotle's Poetics inThe Iliad

Within Aristotle's Poetics, we are excessively treated to the correct structure of a catastrophe, which moldiness allow in unity of time, place and space, a plot with beginning, middle, and end, a climax, and a resolution. A most important concept to Aristotle is that of sad flaw, a status that jibes a tragic flaw in a character. In the ideal tragedy, Aristotle contends that the hero will fill nigh his let downfall through such a flaw. Likewise, the characters in tragedy should be good or fine, true to life, consistent or true to themselves, and express a fitness of character. This means that characters must act in a way true to character. For instance, the actions of a warrior would not be suitable for a female. According to heathland "Aristotle comments that all of Homer's characters ?have character'" (1).

The Iliad is a tragedy of youth. Achilles' anger would represent the tragic flaw or hamartia references by Aristotle. The entrancement of a code of find erupts into the Trojan War. Paris offends his node by stealing his wife. We are told right off that the hamartia of Achilles is responsible for the events that unfold, "Sing, of Goddess, the anger of Achilles, son of Peleus, that brought down countless ills upon the Achaeans" (Loomis 7). To Achilles, Agamemnon has demonst

The Iliad overly maintains the structure that Aristotle deems mandatory for tragic drama, for it has a beginning, middle, and end, with a climax that ends in catharsis

Homer's epic ends with Hector mourned by his wife Andromache, his mother Hecuba, and even Helen, to whom he had been kinder than most Trojans, many of whom understandably resented her role in bring on the war (Canary 2).

Aristotle says that the Iliad is simple, i.e., there is no recognition or reversal. It could be argued that the remnant of Patroclus does involve reversal: Achilles' actions lead, contrary to his expectation, to the very thing he least wanted-the death of his dearest associate degree (3).

Aristotle. "Physics" and "Poetics." In Richard McKeon, (Ed.).

Introduction to Aristotle. New York: The Modern Library, 1957.

there are many deaths and woundings in the Iliad. One of the striking features of Homer's technique is how even minor figures are brought into focus at their death in a way designed to create a sense of the significance and pathos of their death (3).

rated that he is uncomplete fit to be a leader nor to be certain as a man. Leaders should, like heroes, be to a higher place petty revenge and actions, and should sacrifice self for their followers. The Iliad is primarily about the struggle of men to achieve hero status and to abut that they are as capable as the gods are of obtaining glory.

The Iliad also maintains the unities of time, space, and place. Likewise, the Iliad demonstrates catharsis, but for Achilles the catharsis stems from his own hamartia. Both Achaeans and Trojans perform bald-faced deeds of great heroism and courage; at the aforesaid(prenominal) time, both sides illustrate that underneath a veneer of honor and moral probity lie conflicting attitudes and behaviors. When Patroclus, the best genius of the sulking Achilles, is killed in fair combat by the Trojan,
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